The Art and Science of Climate Model Changing 2016

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photo Courtesy: Amy Davis/Baltimore Sunday/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an art history course or spent time in a fine arts museum, chances are you know a lot about the men who "defined" their mediums. As with other subjects, almost of what we larn about art history today still centers on white men from Europe and, later, the U.s.. In reality, in that location are so many more artists of all genders to learn from and capeesh.

Here, nosotros're specifically taking a look at just some of the women who have had lasting impacts on their art forms. From some of the fine art world'due south most iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, notwithstanding have a manus — in irresolute the world of fine fine art and how nosotros define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an creative person and educator who taught at Cheyney University in Pennsylvania for more than 30 years. Later studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, becoming best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

2 photographs from Cindy Sherman'southward Untitled Film Stills (1977–lxxx). serial. Photos Courtesy: Museum of Modern Fine art (MoMA)

Photographer Cindy Sherman was role of the Pictures Generation during the 1980s, and is perchance nearly well known for her series of Untitled Film Stills (1977–lxxx) — cocky-portraits in which Sherman "posed in the guises of various generic female person film characters, amongst them, ingénue, working girl, vamp, and alone housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media's influence over our private and collective identities.

Yoko Ono

A even so from the performance Cut Piece, 1964, and a picture of the installation One-half-A-Room, 1967, every bit seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

Yous might first remember of Yoko Ono as a musician and activist, but she's as well an accomplished operation and conceptual artist. Ono was considered a pioneer in the performance art motion, earning the nickname the "High Priestess of the Happening".

One of her nigh revered works, Cutting Slice, was a performance she outset staged in Japan; Ono sabbatum on stage in a overnice suit and placed scissors in front end of her, and, in an act of daring vulnerability, invited audience members to come up on stage and cut away pieces of her vesture. "Art is like breathing for me," Ono has said. "If I don't do it, I start to asphyxiate."

Betye Saar

Betye Saar's Black Girl's Window, 1969 (total and particular). Photos Courtesy: Museum of Modernistic Art (MoMA)

Before condign a printmaker and activist, Betye Saar studied design and was employed as a social worker. A printmaking elective changed her unabridged career trajectory — and, in turn, part of the trajectory of fine art history.

Saar was part of the Black Arts Move in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can get the viewer to look at a work of art, then you might be able to give them some sort of message."

Frida Kahlo

People await at Frida Kahlo'due south 1939 painting Las Dos Fridas at the World Forum of Civilization in 2007, which was held in United mexican states. Photograph Courtesy: Alejandro Acosta/AFP/Getty Images

It's rare to find someone who hasn't at to the lowest degree heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes similar death and identity through her self-portraits. Kahlo often used bold, brilliant colors to create her symbol-rich works, and was regarded every bit one of the near influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'due south Infinity Mirrors showroom at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very immature age, but she's also known for her hyper-real sculptures, polka dots, installations, and then much more than. Like many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms serial, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (50) and creative person Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on Feb 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, oft doing everyday activities — something that became more common in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald'due south work — and her signature grayscale skin tones — as she was the offset Black adult female to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors abreast a piece of work from her serial, Pelvis Series Carmine With Yellow in Albuquerque, New Mexico. Photo Courtesy: Tony Vaccaro/Getty Images

Known every bit the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico's landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York Urban center. In the 1920s, she was the first woman painter to gain the respect of the New York fine art earth, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Golden King of beasts for best creative person in Okwui Enwezor'south biennial exhibition All the Globe'southward Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual creative person in 1970s New York City. She used her work to question society, identity, and racial politics by demanding the audience to face truths about themselves. She often challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed every bit a Blackness man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat's poses in front end of a photo in her exhibition Our Business firm Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to study art in Los Angeles, California — before the Iran Islamic Revolution took identify. She is best known for her photography, film, and video piece of work, much of which explores the relationship between Islam'due south cultural and religious systems and women. Moreover, Neshat'southward works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that deed as meditations on diverse concepts, such as trauma, cognition, and hope. 1 of her more than notable works, I Odour You On My Skin, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore's Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Agone)

Much of Rebecca Belmore's art addresses identity and history — and, in item, houselessness and the voicelessness of the First Nations People in Canada. Equally an Anishinaabekwe artist, she works to raise sensation around the prejudice, violence, and attempted erasure of Indigenous Northward American culture. In 2005, she was the outset Indigenous woman to correspond Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is improve known for her installation art and sculptures — similar the spider in a higher place — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the main styles shaping the fine art globe.

Mickalene Thomas

Mickalene Thomas' A Picayune Sense of taste Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced past pop culture and pop art, Mickalene Thomas ofttimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Political party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early Feminist Art movement. As exemplified in her iconic work The Dinner Party, her installation pieces ofttimes examine the function of women in history and civilisation — in the 1970s and before. While at California Country University in Fresno, Chicago founded the first feminist fine art plan in the United States.

Augusta Savage

Augusta Cruel with i of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, oft of Black folks, Vicious founded the Savage Studio of Arts and Crafts in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Art (MoMA)

Known for her provocative functioning art practices, Carolee Schneemann is considered the progenitor of "body art". (Just expect upwardly her nearly famous work, Interior Scroll, and you'll meet what we mean.) She used her body to examine women'southward sensuality and liberation from the oppressive aesthetic and social conventions established past our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin's work challenges traditional power relations. In addition to documenting New York Urban center's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to yous? Well, that's the thought! Elaine Sturtevant, who went by her last proper noun professionally, was a conceptual creative person known for her inexact replicas — that is, not-quite-right copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Withal, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of art civilisation.

Ruth Asawa

Various hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly complex wire sculptures. A San Francisco-based artist, Asawa'south last public commission was the Garden of Remembrance at San Francisco Country University, which was created to recognize Japanese Americans who were interned during World State of war Two.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November viii, 2007 in New York City. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a lensman since the age of ix. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — just in a style that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Withal from Sin Sol (No Sunday) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and banana professor who won an Impact Accolade at the Indiecade Festival in 2020 and the Artistic Accolade from the Gender Justice League in 2016. She believes pedagogy is the path to liberation and uses VR and fine art to accost global bug such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Colour exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photograph Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who also specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Assistants (WPA).

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